On Revisiting Old Friends

 

Belgariad cast

Well I’m back. Still querying The House of Petunia. Currently editing The House of Motokazu.

I have successfully added in pixies. They are suitably belligerent.

But today the blog is not about writing. Today is about what I’m reading because what you read influences how you write. Lately I’ve been visiting a very old friend, namely David Eddings.

Well he’s not strictly a friend, but I feel like I’ve known his stories for most of my life. He’s now deceased but for those of you unfamiliar with his work David Eddings is best known for his two epic fantasy sagas The Belgariad, and the follow on, The Mallorean. I keep waiting for these to be turned into a movie, or a TV Series. Waaaaaay better than Game of Thones in my opinion. More humour. Less nudity and ridiculous violence. Humans more likable. A series where being a hero and not a douch-bag actually pays off.

At the moment I’m re-reading through Edding’s entire Belgariad/Mallorean epic saga with a bit of Belgarath the Sorcerer and Pologara the Sorceress on the side.  Thankfully I haven’t succumbed to the ‘I loved this when I was a kid but now I’m an adult I can see just how utterly terrible it is’. ‘Jana of the Jungle’ did that to me. ‘G-Force: Defenders of Space’ did that to me. David Eddings has not. Thank you David! The Belgariad has a clear bill of ‘I still really enjoy this’.

So, for the uninitiated, the world of the Belgariad is your standard medieval universe which seems to remain perpetually medieval in spite of having over seven thousand years to develop historically.

Seems odd, but never mind.

It’s divided into different nations which all share distinctive characteristics. Chereks resemble vikings, Sendarians are practical farm folk, Tolnedrans are kind of Roman and like money etc. Someone has suggested that this makes everything a bit flat and 2D. All I can say is that it never bothered me… The Angaraks are the baddies (divided into Nadraks, Thulls and Murgos) and yes, okay, giving them asian characteristics could be interpreted as racist, but I think the Mallorean softens that somewhat. Your nation would be a nasty one as well if it suffered for millenia under a horrible Grolim priesthood.

Human sacrifice, people. Nuff sed.

The story itself revolves around Garion, an orphan farm boy who is raised in obscurity by his mysterious Aunt Pol in remote Sendaria. He has no idea who he really is or his role in fulfilling ancient prophecy.

Cue ‘coming of age story’ peppered with magic, baddies, prophecy, grumpy sorcerers, spoiled princesses, uppity and overly superior sorceresses, barbarians, horse lords, spies, faithful blacksmiths, brainless knights, a ridiculously powerful and slightly silly orb and a rather smug talking Prophecy and any number of fantasy tropes you care to throw in and you have a rollicking good tale well told which is also FUNNY.  The scene in Guardians of the West when the pregnant Ce’Nedra goes into labour and Garion goes into panic still makes me laugh. Polgara’s threat to feed everyone boiled hay for a week if anyone dared call her ‘Polly’ I shamelessly stole and directed towards Grumble, my griffin character.

Its interesting reading this from my new writer’s perspective. David Eddings isn’t completely perfect. Firstly the Mallorean is a salutory lesson in ‘crutch words’. Crutch words are words or phrases that a writer unconsciously falls back on continually. For instance one author had her characters ‘cross their arms over their chest’ so frequently I wanted to scream. You have to watch for them because they ruin good writing. David Eddings, not so much in the Belgariad and definitely in The Mallorean, has all his characters saying ‘sort of’ with alarming regularity. It irritated me more than Silk’s constant needling or Ce’Nedra’s histrionics. ‘Really’ came in a close second.

Yes David, it really did.

Secondly Eddings tends to get bogged down in detail when he gets to battles and sieges. They go on for pages and pages and pages. I skipped most of the battle of Thull Mardu in Enchanters End Game and most of the seige of Rheon in Guardians of the West. Its the reason I gave up on is later series The Elder Gods. All he DID was describe battles and sieges.

Why me?

I’ve now got as far as The Sorceress of Darshiva in the Mallorean so my David Eddings journey is nearly at an end. I may be inspired to try The Elenium, I may go on to something different. Who knows?

 

Why Me?

It ain’t easy being the chosen one…